War in the Pacific

I, like just about everyone, am looking forward to HBO’s new miniseries The Pacific. I mean like, really, really psyched; it’s been much too long in the making. But I’m really liking the Hanks-Spielberg team as of late.

Semperpapa at David Bellavia has taken Hanks to town, though, for the latter’s comments on the ‘true’ meaning of war in the Pacific. I responded at the source, but I also think the arguments deserve a full presentation, so here are his, followed by mine:

I was somewhat disappointed by Tom Hank’s simplistic look at what WWII represented for our Nation, when, during an interview, he stated that the reason America wanted to kill the Japanese was because they were different. They looked different, they believed different.
[…]
I could even understand that Tom, as a good Liberal, would hold America responsible for the Japanese attack on Pearl Harbor, because after all the American fleet was an “imperialistic” obstacle to the “legitimate” expansionist needs of Japan toward South Eat Asia.
[…]
In the interview, Hank points out his latest project wanted to honor the bravery of the American troops

“…but we also wanted to have people say, ‘we didn’t know our troops did that to Japanese people.’”…

I don’t know that Hanks’s opinions, overly simplistic as they are, can be blamed on his liberalism. There weren’t too many alternatives to what we did in either theater. Rather, his misinformation can be attributed to the general American ignorance about the Pacific theater.

Much of whatever vague impressions Americans get of the Pacific are from sources like Dr. Seuss’s wartime propaganda and the various posters attacking “yellow” “Japs.” Which if it’s all you’re getting, definitely paints a one-sided picture.

He’s also not entirely wrong. To a degree much more pronounced than in the ETO, the American war effort dehumanized the Japanese as both a race and a nationality. In Germany, we were fighting Hitler, but in the Pacific we were fighting the Japs. There was a distinct conflation of politics and racism there that was absent from Europe, or at least the western front in Europe. The Pacific shared a viciousness with that life-or-death struggle on the eastern front, where the choices were literally reduced to a binary: victory or death and enslavement.

But I don’t mean to condemn that brutality entirely. In most ways our response was a tit-for-tat regarding Japanese behavior. After enough incidents occurred when surrendering Japanese troops instead carried out the equivalent of a suicide bombing, we stopped taking prisoners. As a tactical solution it was entirely justified. We took no prisoners – but with good reason. See John Dower’s War without Mercy: Race and Power in the Pacific War for a fairly deep analysis of the course of the Pacific theater.

Basically, the dehumanization we carried out in the press and other media is being misattributed by Hanks to a cause of the war, rather than the fairly standard wartime practice and response to in-theater events that it was.

And of course, the Japanese behavior speaks for itself.

Airwaves? What Airwaves?

Just ahead of Oscar night, word comes that Disney is pulling the ABC channel from Cablevision – affecting about 3 million subscribers in the New York-New Jersey area. ABC is, of course, scheduled to broadcast the Academy Awards tonight.

I’m in no way affected by this, be it living in New York, a Cablevision subscriber, or a religious Oscar aficionado, but this is still pretty outrageous. If you subscribe to cable, you’re now denied access to a theoretically public access channel. ABC may no longer broadcast in analog, but it still does in digital – across frequencies in the public spectrum, which have been leased from the public (and which existing analog broadcasters were able to obtain licenses for without an auction).

Of course, the former obligations that stations using public airwaves were held – such as the “fairness doctrine” – have been allowed to lapse. No one is required to do much of anything anymore, save not broadcasting ‘filth’ and ‘obscenities’. But worse is that millions of people are denied access to a station in the public spectrum over a billion-dollar dispute. I know, I know, theoretically everyone could go out and buy an over-the-air broadcast converter, but how many of those do you think are in stock in the New York metro area?

Nobody at all wins here.